94p and 4K up to 119. 97p with a bitrate of 2600 Mbps or in raw-light with a bitrate of 1300-1750 Mbps. As a variable bit rate (VBR) codec technology, Apple ProRes uses fewer bits on simple frames that would not benefit from encoding at a higher data rate. 264 into these decks. Match Source - Adaptive Medium Bitrate. 264 is meant for distribution and ProRes is meant for mastering. Maximum Bitrate: 16. 97 fps. Display Aspect Ratio. Other agencies may accept another codec like GoPro Cineform or DNxHR to deliver. The file will be large, but significally smaller than HQ but not as small as H. These bitrate values are an “average quality” starting point for 1080 HD. Really hoping that options to control the codec (color format, bitrate, etc) will be added, because this tool is amazing! Don´t use ProRes 422 HQ, use ProRes 422 LT for YT uploads. 264/H. GOP Size or Keyframe Distance: Custom value for the interval between two full images. This is a beastly codec that chews through storage on high-end professional. Bitrate values for streaming services are typically recommendations, not a. ProRes （プロレズ）は 不可逆 映像圧縮フォーマットである。 Appleによりポストプロダクションのために作られた。 8Kまでの解像度をサポートする 。 これはApple Intermediate Codecの後継として2007年にFinal Cut Studio 2と共に発表された。. 264 DNxHD 36 DNxHD 45 DNxHD 75 DNxHD 115 DNxHD 145 DNxHD 175 DNxHD 220. Filmic Pro gives you the option to record in either 709 or 2020 color space when recording to ProRes. I tried changing "-c:v prores_ks" to "-c:v prores", and the bitrate was substantially reduced to just about 1000Mbps. While you would get slightly longer recording times at those bitrates, it wouldn't be significantly longer. In this instance the file sizes would be approx. 562 120 1 Compact Drive 1TB/Compact Drive 2TB, if first value has a dash, it is max fps for ProRes 4444XQ - max fps for 4444 and 422 HQ v4. 264 or H. Source: X-OCN White Paper. ProRes is a codec technology developed by Apple for high-quality, high-performance editing in Final Cut Pro. 265 (HEVC) codec Apple currently uses to capture video, ProRes allows you to capture higher video quality at the. 대상 데이터 전송 속도는 1920x1080 29. (It's also a big part of why ProRes is smoother to edit with; each can frame be decoded without having to decode any other frames first. NRAW, if anything like BRAW should be significantly smaller than ProRes RAW. As an example though, for ProRes 422 HQ at 4K 30p the target data rate is 943. For the documentation of the undocumented generic options, see the Codec Options chapter . DNxHR and ProRes are comparable in quality at the same bitrate. The actual bit rate may be slower than the selected value depending on the subject. Scroll down and select "Camera. Apple ProRes formats; Subsampling: Format: Bit-rate: 4:2:2: Uncompressed 4:2:2 video: 1,326Mbps: 4:2:2: Apple ProRes 422 HQ: 220Mbps: 4:2:2: Apple ProRes 422: 147Mbps: 4:2:2: Apple ProRes. This opens the Preset Settings window. For the highest quality output, choose “QuickTime” format and codec “DNxHR” for Windows (“ProRes” for MacOS). In Adobe Premiere Elements 2023, when I use "Add Media" to add any iPhone Prores video with a H. I also wouldn't transcode master files (ProRes or high bitrate H265 from camera) before editing. Playback only of ProRes 4444 QuickTime up to 1080p60 with auto routing of fill and key over SDI A and B outputs. ProRes recording is supported only in 1080HD,. Whatever is it, you need to get it to ~34Mbps to get a file of that duration to be 1GB. CRF is an encoding mode that adjusts the file data to achieve a selected quality level rather than a specific data rate. Prores HQ can already macroblock quite a bit, the much lighter LT should be understood as a better Prores Proxy. Say, with bitrates of 50-100mbps, and tweaking the GOP size/structure. The Canon Final Cut Pro plug-in v1. Photo Format; JPEG/DNG (RAW) Video Formats; Mavic 3: MP4/MOV (MPEG-4 AVC/H. Then, set the Preset drop-down menu to Match Source – High bitrate. No banding or blocking. ProRes LT retains better overall image quality compared to ProRes Proxy as it includes every pixel in the clip and it doubles the bitrate of the latter. 265” codec under the “Mp4” format on the “Deliver” page if you have time constraints. 0 means best and it goes up to 32 which is worst. ProRes is a variable bit rate codec. Likewise, if a frame has more stationary sequences with almost no movements, ProRes allocates lesser bitrate to it. Unfortunately the bitrate is limited to 1. The following chart is from the ProRes White Paper that. Users now have access to a UHS-II SD card slot and a CF Express type B slot, required for ProRes and high bitrate recording. For bitrate settings that suits your footage you have to try different settings. ProRes RAW, co-developed by Apple and Atomos, aims to fix both the data and processing problems normally encountered with raw video. The target data rate of Apple ProRes 422 LT is approximately 102 Mbps at 1920 x 1080 and 29. My test clip size reduced from 3. in Software, Announcements. While all are still going to provide great quality, you should consider how the difference between the files is the bitrate. 264 format, it shows up with diagonal lines distorting it. ProRes accepts either a fixed bitrate with -b:v, or you can specify the profile, which should be a value between 0 and 3, where the bit rates are chosen according to the profile. It is 10-bit, which means it provides 1,024 shades of gray or shades of each color per pixel. Apple ProRes 422 HQ - 117. The workaround is of course to export in Prores HQ (as near as dammit lossless) then use Handbrake to reencode at CRF/bitrate whatever ^^ This. Showing results for Show only | Search. For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White Paper. 63 MB/s Apple ProRes Proxy - 24. The file will be large, but significally smaller than HQ but not as small as H. The ProRes Encoder includes a variety of Apple ProRes codecs: ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT or ProRes 422 Proxy. On my BMPCC-4K, 4K/60/13-bit is recorded in something like 65MB/s BRAW (500Mbps+Audio), the same format in ProRes 422 HQ would be 210MB, and ProRes RAW is only a little smaller, so probably still 3x bigger than BRAW. Footage by Neumann Films. g. AVC and HEVC usually do not do that but use variable bitrate. The monitor looks very similar to the original, including the brightness and color. Huge files and not the best format out there, but I can always downgrade it with a video edit software later. The original file was a 5 gb Apple ProRes 422, 1920x1080 MOV-file with sound in PCM, which I used FCP/Compressor to convert to a H264-MPEG-4 part 10, quicktime MOV-file, with MPEG AAC audio. 264. Apple ProRes 422 (HQ) VBR: 40-60 Mbps. Log ProRes clip in a sequence with Maximum Bit Depth off. 6. 0 media card. All ProRes codecs support any frame size (including SD, HD, 2K, 4K, 6K, 8K, and larger) at full resolution. This means, every frame consumes equal amounts of bytes no matter the content. There are many implementations of XAVC, I've included popular modern variations here. 7 to 45. Note that 8 bits (Mb) = 1 Byte (MB). Internally, the LUMIX GH6 offers up to 5. 8Easy Online Video Size Calculator [4K Included] How-To Guide: 1. You’ll get fewer video compression artifacts on YouTube when you upload high quality video formats, as opposed to low bit rate files. 264. Images are recorded directly to AtomX SSDmini or other. There is no easy way to recommend best settings for certain videos, try, try, and try again is the way to go. ffmpeg -i in. Cineform is about 235 Mbps from what I understand and is closer to Prores 4444 (might be overkill) DNxHD 100/115/145 @ 8-Bit+ (Keep it in the SQ class of codecs for 145 Mbps or lower) 1 Upvote. I’ve used this version of the codec in the past for multi-cam editing on a late 2007. High-quality codec and de facto industry standard. Your iPhone supports these resolutions and frame rates: ProRes support for 256 GB, 512 GB, and 1 TB storage capacity: 4K at 60 frames per second (fps), iPhone 15 Pro and iPhone 15 Pro Max only, when using an external storage device that supports speeds of at least 220MB per second and maximum power draw of 4. But not in ProRes. 4-axis vertical/horizontal tilting monitor and improved vertical user interface support vertical shooting. NOTE: Create Ingest Preset creates import presets for Adobe Premiere Pro CC. 63 MB/s Apple ProRes Proxy - 24. ). ProRes RAW also provides maximum flexibility for adjusting the look of your video while extending brightness and shadows. You can select from the ProRes Codec list and the ProRes Color Profile :Apple ProRes 422의 거의 모든 이점을 제공하지만, 데이터 전송 속도는 Apple ProRes 422 HQ에 비해 33%까지 줄어서 멀티스트림과 실시간 편집 성능이 뛰어납니다. To be technically correct, the statement is "10-bit h26x is as good a codec as Prores HQ at the same bitrate". About Apple ProRes. Movie Recorder properties. They all look identical, or even worse, to the 100-150MB h. 4K 120p, 6. 264 and H. NTSC: 720 x 480 or 720 x 486 1. If you change from H. 940 FPS Encoded date : 2023-11. H265 is a masterpiece and revolutionary for the internet as a whole. With ProRes, the bit rate (or data rate) is determined primarily by ProRes codec type (Proxy, LT HQ, etc. The bitrate of Prores HQ in 4K is just over 700Mbps. All ProRes 422-variants adopt YUV Chroma subsampling of 4:2:2 at 10-bit color depth. ProRes protects the image quality of the video while allowing for fast encoding and decoding. The lower resolution and bitrates allow 1080 ProRes recordings to be made directly to SD cards as well as to the CFexpress slot: currently all ProRes recording have to be recorded to a CFexpress card. See moreLike standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. This codec is perfect for environments where storage capacity and data rate are most important. It'd at least be a lower bitrate than the other ProRes flavors, which would help reduce storage space requirements for your proxies. 88fps from the standard 8-bit HDMI output of the Sigma fp. 2K. 264. This site contains user submitted content, comments and opinions and is for informational purposes only. Use the H. Obviously you lose quality with lower bitrate, but depends on what you have to do with it for editing. 264’s more advanced processing does put it ahead, with much better minimum PSNRS (43. I don't want to work with reencoded gargabe. The target data rate of Apple ProRes 422 LT is approximately 102 Mbps at 1920 x 1080 and 29. 94 60 119. Try shooting in: - 4K DCI - - Ultra HD -The Panasonic Lumix S5IIX is essentially the same camera as the S5II, but it has a few key upgrades specifically designed for professional video shooters. 4 MB/s. decoding modes. Alle ProRes-Codecs von Apple sind bildunabhängige (oder „Intra-Frame“-) Codecs, d. Maximum Bitrate: 16. DPX, or any other combination, you’ve come to the right place. 3. 27 Jun, 2014. Un iPhone de 128 GB puede almacenar un poco más de una hora en este formato mientras que el modelo de 256 GB alcanza las dos horas de grabación. (maximum bitrate 200Mbps) and H. 264 isn't the right tool for multicam and your expectations for low bitrates are out of line. Not bad at all. Above you can see the bitrates for the various resolutions and codecs. 63 MB/s Apple ProRes 422 LT - 54. Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. As per apple app store launching requirement, video audio bitrate is requested to be 256 kbps, so I need the file having the exact specification. A variety of codecs are supported as well, including H. But that's 4K; the bitrate you mention for Prores Proxy and LT. However, it must be taken into consideration that ProRes RAW is not natively available in Resolve. Going down to 960x540 is probably in the 12-36Mbps range depending on the frame rate. If you carefully read the ProRes White Paper you can see why this is true. LT is a terrible recording format. S-log 3 ProRes 422 HQ Footage by Neumann Films. But should you find that you are low on storage space, then you have the option to use. Maximum quality means ProRes 422 HQ, which eats up 735Mbps which equals. So for instance, if we encode an action sequence, ProRes can use a higher data rate which will ensure that image loss is negated and the detail of the video remains. You'd have to check. La mayoría de las cámaras aún disparan en resolución HD a 1920 × 1080 píxeles. If you carefully read the ProRes White Paper you can see why this is true. 7GB in. 265 using Apple Compressor. 264/H. The -profile switch takes an integer from -1 to 5 to match the ProRes profiles: -1: auto (default)Constant Bitrate Options for BMPCC6K Pro. Higher bitrate = better quality, but bitrate alone doesn't say much without also knowing what codec, resolution, and framerate you're using. That sound like 90s to me. Log ProRes clip in a sequence with Maximum Bit Depth off. 264/H. No banding or blocking. MP3 for Audio Podcasting. Each flavor of ProRes features a higher bitrate, allowing users to make the trade-off between quality. LATEST. It delivers 12-bit raw data at a rate of 80-140 MB/s. If you choose the quick export option in the upper right corner of premiere pro (its an icon that looks like a box with an arrow coming out of the top) From there hit the tab and switch it to High Quality HD. Macroblocking is due to low bitrate, so in principle you should have less of that using Prores, which has a very high bitrate. For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White Paper. ProRes is a video file format, or “codec”, developed by Apple in 2007. But, it can go up a bit or down a bit, in that range. Graded Log ProRes clip in a sequence with Maximum Bit Depth on. “Constant BitRate” functions the same as any other codec by placing a cap on the maximum data rate of incoming footage from the sensor. Using the ProRes codec as an intermediate, especially the higher bitrate version, isn't going to sacrifice much quality. The ProRes files tend to be a bit smaller (particularly 422) than the ALL I. The A7S III’s 16-bit linear RAW output is compressed and recorded in the Atomos Ninja V as 12-bit ProRes RAW up to 4K60. Unlike the H. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT). So we’ve scoured the Internet and brought them all into a single page. ProRes Proxie gets a bit blocky and shows compression artifacts on some fine details. I have said it before, and I will say it again. Turn on suggestions. " Select "Formats" at the top. Translate. Then there's the addition of a new, F-Log 2 gamma curve. Camera app takes ProRes 4k30. . ProRes is a variable bit rate codec. Cineform is an excellent alternative, but a bit slower on Macs. For example, I’ve found (per YouTube’s official guide) that 4k footage literally looks best when the bitrate is between 35-45Mbps. It can also capture 12-bit ProRes RAW video. When you go to the Export window (File > Export media), you should see a tab for video settings and one for audio, as in the screenshot below. 30Mbs H265 = 100Mbs ProRes. Download ProRes RAW White Paper. The file will be large, but significally smaller than HQ but not as small as H. Hence, one minute of filming will cost you about 5. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. Atomos has already enabled full ProRes RAW plug-in support for these cameras in the current release firmware for Ninja and Shogun series devices. For bitrate settings that suits your footage you have to try different settings. , only using "I" frames. 6 MB/s Apple ProRes 422 LT - 51 MB/s Apple ProRes Proxy - 22. The nature of ProRes is a variable bit rate (VBR) codec. As stated by Atomos: “Atomos and Canon are delighted to be bringing customers a world-first for capturing stunning pristine 8K images with such an affordable, capable. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). This will tell the codec to use whatever bitrate is appropriate for the profile selected by vprofile on the Other tab. All Apple ProRes 422 codecs support up to 10-bit image sources, though the best 10-bit quality is obtained with the higher-bit-rate family members—Apple ProRes 422 and Apple ProRes 422 HQ. 4K and Beyond – Video Data Rates. 4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps . Data rates vary based on codec type, image content, frame size, and frame rate. For the best image quality, I recommend using ProRes RAW HQ. Many reviewers test the sustained write speed. So if you’ve got the time, upload the best video you’ve got. Then I looked at some footage from a different job and a different Mini. H. PRORES Compression Bit Rate File Size. But Pro Res will look better than even a similar bitrate h. 08GB. ProRes 422, and ProRes 422 LT. This means that if more data is needed, ProRes RAW will adapt to include as. ProRes 422 Proxy. The following chart is from the ProRes White Paper that. It comes in two formats: ProRes RAW HQ and ProRes RAW, with the HQ version offering higher data rates than the standard ProRes RAW. As a variable bit rate (VBR) codec technology, ProRes uses fewer bits on simple frames that would not benefit from encoding at a higher data rate. 8:1. Your iPhone supports these resolutions and frame rates: ProRes support for 256 GB, 512 GB, and 1 TB storage capacity: 4K at 60 frames per second (fps), iPhone 15. Apple ProRes 422보다 압축률이 높은 코덱으로 442. 265 was designed to maximize quality on low bitrate streaming, especially 4k and 8k. Для использования кодека Apple ProRes 4444 XQ необходима ОС OS X 10. Apple ProRes 422 is approximately 147 Mbps at 1920 x 1080 and 29. The low bitrate means that the files are much smaller, so you can use fewer/smaller/cheaper hard drives, simplifying your workflow. 000 kbps and the option to change it is disabled. All Apple ProRes codecs support any frame size (including SD, HD, 2K, 4K, 5K, and larger) at full resolution. This means at the cinema frame rate of 24p we can expect just 200Mbit for 4K RAW. On Premiere Pro 14. 3840 x 2160 (Ultra HD) Apple ProRes 422 HQ - 110 MB/s Apple ProRes 422 - 73. 1920x1080p. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. Here you can export in ProRes, which minimizes compression. 265. ProRes 4444 and 4444 XQ render even better quality with YUV 4:4:4, a color depth of 10 or 12 bits. It's NOT for a lack of quality however. ) If your video goes through several export steps, then h264 isn't really the codec for the job. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. DNxHR 444 and ProRes 4444 XQ are the only codecs that fully preserve the details needed in HDR- (high-dynamic. The 6K had better color and highlight recovery and he disliked Apple's support of ProRes raw. It’s also worth mentioning that the GH6 comes equipped with a dual card slot which provides different options dependent on the bitrate of your shoot. ProRes is a video codec, like H. They have both been around for years, so they’re very widely supported. 265 videos in frame rates as fast as 4K/120P and FHD/ 240p. Translate. Apple ProRes 4444 XQ features a target data rate of approximately 500 Mbps for 4:4:4 sources at 1920 x 1080 and 29. 3. Bit Rate File Size. 264 for example) with a super high bitrate. We don't know the bitrate behind these photos, thats also important. 2, MacOS 12. ProRes 422 Proxy. However, there are six versions of ProRes, each of which vary in bit rate (and file size). Bitrate at 4K50P for 422 is 983Mbps, 422 HQ is 1475Mbps. You must keep the total of both average and maximum audio and video bit rates under 10. I’ve a lot of different combinations and I can’t seem to get FFMPEG to use a fixed bitrate. Apple literature highlights the value of Apple ProRes 422 LT as an editing codec, stating that it "is perfect for environments where storage capacity and data rate are at a premium. Apple has released a new video codec into the filmmaking post production world. Pre-Release Capture starts shooting in advance of fully pressing the shutter-release button, making decisive moments even easier to catch at up. ProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80 ProRes 422 -. It's still quite a lot bigger than DNxHR HQX (700Mbps), but moving in the right direction. However, Premiere export the file with the audio bitrate a bit lower than the one in setting, i. Here’s a handy list of bitrates: ProRes Proxy will deliver a max bitrate of ~170Mbps at 4K; ProRes LT delivers a bitrate of ~360Mbps at 4KYes, the bitrate of ProRes 422 Proxy is still likely going to be higher than the bitrate of H. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 2160p30. If you are capturing in a cropped sensorSetting up ProRes RAW on the LUMIX S5IIX and LUMIX S5II takes no time at all. DNxHR and ProRes are comparable in quality at the same bitrate. That makes it very light to decode, but requires a lot more data. modes. 97fps 기준 약 147Mbps입니다. All of that new and efficient compression the CTUs bring. 853 x 480 for 16:9 content. the other way to reduce file size is to reduce the pixel dimensions. a 4k file is going to be bigger than a 1080 file with the same bitrate and duration. In general, a lower keyframe value results in a higher-quality video but may increase file size. 4. 264 for Video Podcasting. 264 and H. り高くなっています。Apple ProRes 422 のターゲットデータレートは、1920x1080、29. Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller file sizes. These presets will match most settings to the source and also adjust the bitrate based on the source's frame size. Indeed, Sony mentions that X-OCN files are computer-friendly, allowing for fast workflows even with modest post-production. 88 120. Apple ProRes White Paper. ProRes has five set compression sizes in the family. 265 File Type: mp4. mov. Some banding and blocking. As an example though, for ProRes 422 HQ at 4K 30p the target data rate is 943 Mb/s or 7. 6. TikTok:. 264 is better than ProRes. And it's a range because of its variable bit rate, so that's the approximate bit-rate on normal images. g. ) Assuming H264 is a more "efficient" codec, we are hoping. It also has less sharpening baked into the image, though it. If you are not happy with the default, you can set them to the ones you prefer. *Recording time can become short depending on the temperature and/or shooting conditions: Film simulation mode File Size: Length (HH:MM:SS:FF): Length in Minutes: Length in Frames: 35mm 4P (Feet+Frames): 35mm 3P (Feet+Frames): 35mm 2P (Feet+Frames): 16mm (Feet+Frames): On average, one hour of HD footage (ProRes 422) requires approximately 51GB of storage; or roughly 850MB per minute. Apple says a one-minute 10-bit ProRes video is approximately 1. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. 264) Baseline, Main, High. ProRes renders the face much better – right+click and open image in new tab to see it full screen. Als Codec-Technologie mit variabler Bitrate (VBR) verwendet Apple ProRes weniger Bits auf einzelnen Bildern, bei denen eine Codierung mit einer höheren Datenrate nicht von Vorteil wäre. You're in a GIGO situation - Garbage in, Garbage out. The ProRes family can be broken down into 6 codecs listed here from the highest to lowest quality: ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT, and ProRes 422 Proxy. Dropping the quality to 720p at a film-level 24Hz sees the number of streams jump from three to fourteen on the same system and increases further with the normal 145Mbps ProRes bitrate. 0GB. (However, 4444 XQ is a newer format and isn't as widely supported as ProRes 4444 -- yet). You can render and export faster with ProRes RAW than you can with. 7. Apple's white paper says it should be 1061Mbps. Constant Quality. PICK THE BEST OPTION. As for viewing ProRes files, I can only assume you are on a pc since Macs all play ProRes (provided the drive is fast enough) without any problems at all. ProRes RAW is here, a new high-efficiency codec that enables instant playback and editing without the need for any conversion. If your source file is in a different codec (say, h. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. ” The Ninja V can also record 422 ProRes and DNx video up to 4K 29. ProRes 4444 XQ takes this further by using even less compression. 264 to download, but if your drives are fast enough it'll be a much better. FFmpeg contains two ProRes encoders, the prores-aw and prores-ks encoder. "Apple の各 ProRes フォーマットの違い" . I use a Nikon Z6, special HDMI settings, and an Atomos Ninja Star to achieve this. In a single generation I was unable to fine any scene where I could see any visible difference. 1MP APS-C X-Trans Stacked BSI Sensor. While Constant Bitrate is a surefire setting, to make sure the file sizes and quality will remain as advertised, it may cause issues when the footage being captured could do without the extra compression, ensuring that all details of a busy scene are clear. H. However you can squeeze the crap out of an H. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. Encoded Dimensions. With ProRes RAW, you can import, edit, and grade video with RAW data straight from your camera sensor — without slowing down your edit. H. LATEST. For this article, I’ll just share some useful information related to wildlife and birds.